![]() This patch also has crossfadable dynamic layers and true legato Sul Ponticello Legato – the raspy and hollow sound when players bow closer to the bridge, bringing less of the fundamental note out, and more of the naturally occurring harmonics.Sordino sustained long notes – with crossfadable dynamic layers and true legato intervals.Spiccato – 3x round robin with 6 velocity layers.Sustained long notes – with interchangeable fingered and bowed true legato intervals, conveniently displayed as you play on the easy to read/use user interface, as well as four crossfadable dynamic layers beginning with a beautiful sounding soft pianissimo, up to a full and powerful fortissimo.The full range of articulations is listed below: Of course all the essential patches are also included, plus different types of legato and legato patches, less common articulations, and a collection of string percussive sounds, experimental sounds and builds are included too. They boast the first user controllable slow gliss/slide patch, allowing you to perform long glissandos between any two notes, without the aid of synthesized pitch bends or artificial means. The “First Violins” section boasts a huge range of articulations and techniques, as well as new scripting tech and possibilities. Tremolo – (Violin II, Violas, Cellos, Basses).Col Legno – (Violin I, Violin II, Violas, Cellos, Basses).Pizzicato and Bartok Pizz – (Violin I, Violin II, Violas, Cellos, Basses).Martele – (Violin I, Violin II, Violas, Cellos, Basses).Sordino Spiccato – (Violin I, Violas, Cellos).Sul Ponticello Legato – (Violin I, Violin II, Violas, Cellos, Basses).Sul Tasto Legato – (Violin II, Violas, Cellos, Basses).Sordino Sustain Legato – (Violin I, Violin II, Violas, Cellos, Basses).Spiccato – (Violin I, Violin II, Violas, Cellos, Basses). ![]() Sustained Legato – (Violin I, Violin II, Violas, Cellos, Basses).The room mics were a pair of Neumanns, for a more ambient hall sound.Ī huge range of articulations were recorded including: The rigs mics were a pair of Schoeps along with a pair of outriggers (also Schoeps to match the sound), to add width. The close position was a pair of Neumanns hovered above each section and the main pair was behind the conductor with a stereo pair and added outriggers allowing you to add that extra width out to the sides. London Symphonic Strings were recorded with a selection of incredible Neumann and Schoeps mics in 4 positions – Close, Main, Rigs and Rooms. 4 Distinct Mic Positions & Every String Articulation Under The Sun! Multiple true legato patches are included for each section, providing realistic note transitions. The entire string section was recorded in the correct orchestral seating positions, so when you load up the library, each section is correctly positioned in the stereo image, according to how the players are traditionally sat. Each section has up to 3 dynamic layers with up to 4 RR per note. “London Symphonic Strings” contains the standard five section string ensemble (Violins 1, Violins 2, Violas, Cellos, Basses) recorded 24 bit / 48kHz with four mic positions (Close, Main, Rigs and Room) in a beautiful sounding hall. Violins 1, Violins 2, Violas, Cellos and Double Basses have all been recorded in stunning 24bit /48kHz quality with a multitude of articulations and true legato, creating some of the most realistic strings in the world! “London Symphonic Strings” is an incredible 42GB sample library featuring some of the most beautifully recorded strings in the world. Aria Sounds is very happy to bring you the London Symphonic Strings.
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